Voilà AWAV’s annual list (for last year’s, go here). This year’s will be shorter than usual, with the pandemic forcing the closing of cinemas in France for over five months all told, in view of the successive lockdowns/confinements: from March 17th to June 22nd and now since October 30th (they may or may not reopen on January 7th). And few American movies opened from June onward—and with only one big-budget Hollywood movie (Christopher Nolan’s ‘Tenet’, which, needless to say, I did not see). I also did not manage to catch a few well-reviewed French and other movies before the sudden imposition of the second confinement. But I did see enough to constitute a list (and which includes Netflix exclusives).
TOP 10:
A Son (بيك نعيش)
Abou Leila (ابو ليلا)
Adam (آدم)
Corpus Christi (Boże Ciało)
Just Mercy
Love Trilogy: Chained (טרילוגיה על אהבה: עיניים שלי)
My Donkey, My Lover & I (Antoinette dans les Cévennes)
Queen & Slim
Song Without a Name (Canción sin nombre)
The Wall Between Us (Zwischen uns die Mauer)
BEST MOVIE FROM ALBANIA:
The Delegation (Delegacioni)
BEST MOVIE FROM ROMANIA:
The Whistlers (La Gomera)
BEST MOVIE FROM SAUDI ARABIA:
The Perfect Candidate (المرشحة المثالية)
BEST MOVIE FROM IRAN:
Yalda, a Night for Forgiveness (يلدا)
BEST OFFBEAT MOVIE FROM MONGOLIA:
Öndög
BEST OFFBEAT MOVIE FROM MOROCCO:
The Unknown Saint (سيد المجهول)
BEST MOVIE FROM SPAIN WITH A SPANISH CIVIL WAR THEME:
While at War (Mientras dure la guerra)
BEST MOVIE FROM MEXICO WITH A CLASS STRUGGLE THEME:
Workforce (Mano de obra)
BEST MOVIE FROM GUATEMALA WITH A MEMORY OF THE 1980s MAYAN GENOCIDE THEME:
La Llorona
BEST MOVIE FROM CHILE WITH A RAGGAETON DANCING THEME:
Ema
BEST MOVIE FROM COLOMBIA ABOUT A SINGLE WORKING MOTHER WHO HAS TO DO IT ALL:
Litigante
BEST HOLLYWOOD MOVIE ABOUT THE SEAMY SIDE OF AN INSIDIOUS RIGHT-WING CABLE NEWS TELEVISION NETWORK:
Bombshell
BEST HOLLYWOOD COMEDY MAKING SPORT OF AMERICAN POLITICAL CONSULTANTS:
Irresistible
BEST REMAKE FROM GERMANY OF AN EVEN BETTER SPANISH POLICE THRILLER:
Lands of Murders (Freies Land)
BEST NOT BAD MOVIE FROM GERMANY ABOUT AN IRAQI-KURDISH GERMAN SOLDIER WHO GOES TO IRAQI KURDISTAN TO LOOK FOR HER LONG-LOST COMBATTANT SISTER:
Sisters Apart (Im Feuer)
BEST NETFLIX WAR MOVIE BASED ON ACTUAL EVENTS ABOUT AN INTREPID SWAT TEAM OF IRAQI POLICEMEN WHO STOP AT NOTHING TO TAKE BACK THEIR CITY FROM THE ISLAMIC STATE:
Mosul
BEST NOT BAD ALBEIT OVERLY VIOLENT ALGERIAN WAR OF INDEPENDENCE MOVIE FROM FRANCE SET IN EASTERN ALGERIA IN 1960:
The Breitner Commando (Qu’un sang impur…)
BEST NOT BAD MOVIE FROM CANADA INSPIRED BY A SOPHOCLES TRAGEDY ABOUT AN ALGERIAN KABYLE FAMILY IN MONTREAL WHICH IS HAVING INTEGRATION PROBLEMS:
Antigone
BEST QUASI-ETHNOGRAPHIC AMERICAN INDIE MOVIE ABOUT A CROSS-CULTURAL MULTI-GENERATIONAL FAMILY IN CONTEMPORARY CHINA:
The Farewell
BEST NOT BAD QUASI-ETHNOGRAPHIC MOVIE FROM BRITAIN ABOUT IMMIGRANT-ORIGIN TEENS IN LONDON:
Rocks
BEST COMING-OF-AGE MOVIE FROM FRANCE ABOUT AN 11-YEAR-OLD FRANCO-SENEGALESE GIRL IN PARIS NAVIGATING BETWEEN TWO CULTURES:
Cuties (Mignonnes)
BEST COMING-OF-AGE MOVIE FROM FRANCE ABOUT AN 11-YEAR-OLD FRANCO-RWANDAN BOY IN BURUNDI DURING THE GENOCIDE IN RWANDA:
Small Country (Petit pays)
BEST COURTROOM DRAMA FROM FRANCE SET IN THE LOIRE-ATLANTIQUE:
The Girl with a Bracelet (La Fille au bracelet)
BEST DRAMA FROM FRANCE ABOUT INDENTURED SERVITUDE AMONG ILLEGAL CHINESE MIGRANTS IN PARIS:
La Nuit venue
BEST BIOPIC FROM FRANCE ABOUT A GREAT FRENCH WORLD WAR II HERO:
De Gaulle
BEST BIOPIC FROM BRITAIN ABOUT A GREAT FRANCO-POLISH SCIENTIST:
Radioactive
BEST OKAY HOLLYWOOD BIOPIC ABOUT A ONCE GREAT AMERICAN SINGER NO ONE LISTENS TO ANYMORE:
Judy
MOST PLEASANT LIGHT ITALIAN COMEDY ABOUT THREE RETIREE BUDDIES IN ROME LOOKING FOR A CHANGE OF SCENE:
Citizens of the World (Lontano lontano)
MOST AMUSING LIGHT FRANCO-TUNISIAN COMEDY ABOUT A FRANCO-TUNISIAN PSYCHOANALYST FROM PARIS WHO MOVES HER PRACTICE TO TUNISIA:
Arab Blues (Un divan à Tunis)
MOST FEEL-GOOD FRENCH COMEDY ABOUT A MILLENNIAL WHO RECOUNTS HIS LIFE VIA 25 YEARS OF HOME MOVIES:
Play
MOST NOT-ALL-THAT-FUNNY FRENCH COMEDY ABOUT A BLACK FRENCH HUMORIST-RAP SINGER POKING FUN AT HOW FRENCH PERSONS-OF-COLOR TALK ABOUT THEMSELVES:
Tout simplement noir
MOST NOT FUNNY FRENCH COMEDY ABOUT THREE ECCENTRICS IN PARIS WHO EMBARK ON A HELTER-SKELTER QUEST TO FIND A LONG-LOST CHILD:
Bye Bye Morons (Adieu les cons)
MOST UTTERLY NOT FUNNY FRENCH COMEDY ABOUT THREE WHACK JOBS IN THE HAUTS-DE-FRANCE WHO TAKE ON THE GAFAS:
Delete History (Effacer l’historique)
BEST POLICE DRAMA FROM FRANCE WITH VIRGINIE EFIRA AND OMAR SY IN THE LEAD ROLES:
Police
BEST NOT BAD POLICE COMEDY FROM FRANCE WITH ISABELLE HUPPERT IN THE LEAD ROLE:
Mama Weed (La Daronne)
BEST ROHMERESQUE ROMANTIC COMEDY FROM FRANCE WITH CAMÉLIA JORDANA IN THE LEAD ROLE:
Love Affair(s) (Les Choses qu’on dit, les choses qu’on fait)
BEST MARRIAGE THRILLER FROM FRANCE SET IN VIENNA WITH KARIN VIARD IN THE LEAD ROLE:
Appearances (Les Apparences)
MOST NOT TOO GOOD DRAMA FROM FRANCE SET IN BOSNIA WITH ADÈLE HAENEL IN THE LEAD ROLE:
Heroes Don’t Die (Les Héros ne meurent jamais)
MOST MILDLY AMUSING FLAWED COMEDY FROM FRANCE WITH VINCENT LINDON AND FRANÇOIS DAMIENS IN THE LEAD ROLES:
Mon cousin
MOST POWERFUL DOCUMENTARY ON POLICE VIOLENCE IN FRANCE:
The Monopoly of Violence (Un pays qui se tient sage)
MOST OVERLY LONG BUT NOT UNINTERESTING 11-HOUR 4-PART ROAD MOVIE-DOCUMENTARY BY AN EX-COMMUNIST FRANCO-ALGERIAN FILMMAKER THAT WILL LIKELY NEVER BE SHOWN IN ALGERIA:
Israël, le voyage interdit
MOST FRUSTRATING DOCUMENTARY ON CUBA BY A LEFTIST AUSTRIAN DIRECTOR THAT IS DEVOID OF A GUIDING THREAD OR ANALYSIS:
Epicentro
MOST CURIOUS DOCUMENTARY FROM FRANCE ON THE LIFE AND TIMES OF A YOUTHFUL EXTREME RIGHT-WING ACTIVIST IN THE SOMME:
La Cravate
MOST TOUCHING DOCUMENTARY FROM FRANCE ON HOW REALLY HARD IT IS TO BE A FARMER NOWADAYS:
Cyrille, agriculteur, 30 ans, 20 vaches, du lait, du beurre, des dettes
MOST PEDAGOGICAL DOCUMENTARY BY THOMAS PIKETTY CRITIQUING FINANCE CAPITALISM:
Capital in the Twenty-First Century
BEST MOVIE BY GRETA GERWIG:
Little Women
BEST MOVIE BY SAM MENDES:
1917
BEST MOVIE BY CLINT EASTWOOD:
Richard Jewell
BEST MOVIE BY AARON SORKIN:
The Trial of the Chicago 7
BEST MOVIE BY TODD HAYNES INDICTING CORPORATE MALFEASANCE:
Dark Waters
BEST MOVIE BY AGNIESZKA HOLLAND ABOUT THE NIGHTMARE OF THE SOVIET UNION DURING THE STALIN ERA:
Mr Jones
BEST MOVIE BY CHRISTIAN PETZOLD INSPIRED BY A 19th CENTURY GERMAN FAIRYTALE NOVELLA:
Undine
BEST COLD WAR POLITICAL THRILLER BY OLIVIER ASSAYAS:
Wasp Network
MOST OVERRATED MOVIE BY SPIKE LEE:
Da 5 Bloods
MOST OVERRATED MOVIE BY FRANÇOIS OZON:
Summer of 85 (Été 85)
MOST FRANKLY UNINTERESTING MOVIE BY DAVID FINCHER:
Mank
WORST MOVIE SEEN THIS YEAR BY AWAV:
Jojo Rabbit
The only one of your top ten I saw was Queen and Slim, which I liked. Glad La Llorona didn’t make the cut, Alain Gresh notwithstanding. The Whistlers was slick fun.Gotta see those Israeli films you liked.
Sent from Yahoo Mail for iPhone
I didn’t mention two Israeli films I saw, which were the other installments of the Love Trilogy: Stripped (which was good, though with a disturbing ending) and Beloved (which I was less taken with). I’ll look for Alain Gresh’s review of La Llorona. Am hardly surprised he would praise it (I liked it more than you did, as you will remember).
BTW, if I had to designate the nº 1 film of the year, it would be Adam (from Morocco, which takes place almost entirely inside a house in the Casablanca medina).
Hi Arun,
Sorry for not commenting on the list, but I am looking forward to your comments on that episode from “Designated Survivor” episode that happened on Wednesday.
Right now, I’m in agreement with PSA and I have lots of questions