France’s Oscars. The ceremony is tomorrow (Friday)—two days before the US Academy Awards comme d’hab’—at the Salle Pleyel. The full list of nominees is here. Leading with eleven nominations each are Elle and Frantz, Ma Loute (Slack Bay) has nine, Mal de pierres (From the Land of the Moon) eight, Divines seven, Juste la fin du monde (It’s Only the End of the World) and La Danseuse (The Dancer) six each, and Chocolat and Victoria (In Bed with Victoria) five a piece. As it happens, I don’t have blog posts on any—I haven’t written too much on cinema over the past year—but will soon enough, inshallah. But as I have seen the movies, I possess the necessary qualifications to cast a virtual ballot. So voilà:
BEST FILM: Les Innocentes (The Innocents).
It’s a toss-up between this and Frantz. There was, in fact, no really outstanding French film last year. A number were good, indeed quite—such as these two—but there were no chefs d’œuvre. Elle is a gripping drame psychologique but I had somewhat mixed feelings about it leaving the theater. As for Divines, see the ‘best first film’ category below. Three of the seven nominees, it should be said, do not belong: Ma Loute (screwball comedy that critics liked far more than did the unwashed public, of which I am a part), Mal de pierres (bof), and Victoria (frivolous waste-of-time rom-com).
BEST DIRECTOR: Anne Fontaine for Les Innocentes.
François Ozon for Frantz is equally worthy. If Xavier Dolan wins for his execrable Juste la fin du monde, I will forever lose respect for the Académie des Arts et Techniques du Cinéma.
BEST ACTOR: Nicolas Duvauchelle in Je ne suis pas un salaud (A Decent Man).
There are any number of worthy winners, e.g. Omar Sy in Chocolat and François Cluzet in Médecin de campagne (Irreplaceable) but Duvauchelle is a very good actor and deserves it for his role in this engaging film.
BEST ACTRESS: Isabelle Huppert in Elle.
She’s France’s greatest living actress. And her performance here is a tour de force. Other nominees are certainly meritorious: Marina Foïs is powerful as a sociopathic stalker in Irréprochable (Faultless), as is Judith Chemla in Une vie (A Woman’s Life) as an early 19th century bourgeois woman trapped in the gender roles of the era. And the sublime Marion Cotillard is tops in the otherwise unexceptional Mal de pierres. I did not, however, care for Sidse Babett Knudsen in La Fille de Brest (150 Milligrams).
BEST SUPPORTING ACTOR: James Thierrée in Chocolat.
Laurent Lafitte in Elle is the runner-up. If Vincent Cassel wins for his role in the atrocious Juste la fin du monde—or for any role in any film—I will be sorely tempted to commit an unlawful act…
BEST FOREIGN FILM: Graduation by Cristian Mungiu.
Maren Ade’s Toni Erdmann is a close runner-up, followed by Kleber Mendonça Filho’s Aquarius. Ken Loach’s I, Daniel Blake is certainly the top gauchiste film of the year. The Dardenne brothers’ The Unknown Girl is honorable but not their best. Manchester by the Sea? Nah. If Xavier Dolan’s abominable Juste la fin du monde wins, I think I’ll…
UPDATE: The list of the winners is here. I nailed it on half the categories above, including the trifecta for ‘Divines’. ‘Elle’ won for best film, which was hardly a surprise. Gaspard Ulliel winning best actor for the detestable ‘Juste la fin du monde’ was incomprehensible, as was Xavier Dolan for best director. My respect for the AATC is definitively lost.