I’m sort of following the Olympics, watching a bit on TV, keeping up with the medals table. I’ve read about the Russian doping scandal over the past couple of weeks. Am not surprised the Russkies got off with a slap on the wrist. The affair recalled a good Czech film I saw last year, Fair Play (in France: Sur la ligne), about state-organized doping of athletes in Czechoslovakia during the communist era (and that was likewise in the other eastern bloc countries). Here’s a plot summary culled from IMDB
The 1980s in Czechoslovakia. The young talented sprinter Anna (Judit Bárdos) is selected for the national team and starts training to qualify for the 1984 Olympic Games in Los Angeles (before the Soviet decision to boycott). As part of the preparation she is placed in a secret “medical program” where she’s getting doped with anabolic steroids. Her performance is getting better, but after she collapses in training, she learns the truth about the drugs. Anna decides to continue her training without the steroids even though her mother (Anna Geislerova) is worried that she won’t be able to keep up with other athletes and might not qualify for the Olympics, which she sees as the only chance for her daughter to escape from behind the Iron Curtain (her parents having been dissidents and her father living in exile in Vienna). After Anna finishes last in the indoor race, her mother informs the coach (Roman Luknar) that Anna had stopped using steroids. They decide to apply the steroids to Anna secretly, pretending it’s nothing but doses of harmless vitamins.
The film offers what is certainly the most accurate cinematic treatment one will find of state-organized doping in communist countries: of the collaboration of doctors, oversight of the secret police and the party, and the pressure that was brought to bear on the athletes to comply—e.g. access to higher education and other resources, post-sporting career employment—and particularly if the athlete’s family was already politically suspect, as was Anna’s in the film. In short, it lays bare the overall insidiousness of the really existing socialism of the Soviet bloc countries. The pic did well at the box office in the Czech Republic (it has yet to open in the US or UK). The reviews in Variety and The Hollywood Reporter are good. Trailer is here.
Not all was dodgy or somber in the Soviet bloc sports scene, it should be said. Last year I saw the terrific documentary, Red Army, by American filmmaker Gabe Polsky, about the saga of the HC CSKA Moscow ice hockey team, nicknamed “Red Army”—that formed the core of the national team the Soviet Union fielded in international competition—mainly from the 1970s to the early ’90s. The Red Army/USSR ice hockey team may well have been the best ever in any sport—and, under the yoke of the legendary slave-driver coach, Viktor Tikhonov, no doubt the most militarily regimented. The national team regularly blew away the competition in international sporting events (though was shocked by Team USA—then comprised of college-level amateurs—at the 1980 winter Olympics in Lake Placid, in what was one of the biggest upsets in the history of sports). They were amazing. One does not need to know a thing about ice hockey or have the slightest interest in it to find the documentary riveting and all-around excellent—critics in France and the US/UK alike gave it the thumbs way up—as it’s about politics, the Cold War, and the Soviet Union in his waning years as much as it is about sports (see the trailer here). Among those interviewed throughout the documentary are two of the USSR national team’s great players, Vladislav Tretiak and Viacheslav “Slava” Fetisov—the latter, along with others on the team, going to the US and Canada in 1989 and after to play in the NHL—and the journalist Vladimir Posner, who was a fixture on American television in the 1980s, as a slick, English-speaking spokesman for the Soviet Union.
Did the Soviet hockey players take anabolic steroids and other performance enhancing drugs? Probably, though in that they would not have differed from their counterparts in North America.