Following up on my Iran nuclear deal post earlier this week, here’s a documentary that I recommend to anyone who has a serious interest in Iran and with strong convictions on the political situation there (the two usually going together). The documentary is the fruit of an original idea of the director, Mehran Tamadon—who left Iran for France in 1984, at age 12, with his communist parents, returning to live there for a few years in the early ’00s—which was to invite a group of mullahs to a private home near Tehran, where they would all discuss religion, laïcité, the place of secular Iranians in the Islamic Republic, and what common ground, if any, they could find to peacefully coexist in the same polity. “Le vivre ensemble,” as we say here. It took three years for him to find willing participants in his scheme—who would agree to be filmed—but he eventually did. So it was one atheist democrat vs. four pro-system mullahs in a friendly clash of ideas over a full weekend (with sumptuous meals prepared by their wives, who did not partake in the discussions, needless to say).
The film passed under my radar screen when it opened last December but this Le Monde article in February, on the interest the film had sparked in the discerning, intellectually highbrow cinephile milieu in the Paris area, aroused mine, so I went to see it at a Saturday morning screening in March and with the director present. It’s an engaging film, reminding me somewhat of discussions I had with Islamists in Algeria in the late ’80s-early ’90s: a dialogue of the deaf—though the dialogue in the film, between persons of the same culture and polity, and speaking in their native language, is far deeper than any I ever had. But while there is no meeting of the minds between Tamadon and the mullahs, the dialogue is civil and with the head mullah of the group—and biggest talker—displaying a sense of humor and bonhomie. Everyone seemed to have a good time and find the exercise useful. One does not imagine such a dialogue could possibly happen in Saudi Arabia or in Egypt these days, or just about anywhere in the Sunni Arab world. I certainly can’t imagine it in Algeria at any point over the past three decades (of a Pagsiste or pro-RCD intello engaging pro-FIS imams in dialogue over 48 hours in close quarters). Take a look at this two-minute Euronews report on the film, plus this three-minute excerpt (French s/t) of Tamadon and the mullahs debating laïcité. And see this review of the film in Qantara.de by writer Igal Avidan, who saw it at the 2014 Berlinale.
On the Iran deal, Robin Wright has an article in The New Yorker (July 30th), “‘Death to America!’ and the Iran deal.” The lede: “Iranians seemed befuddled about why the inflammatory mantra of the Islamic Revolution would ever impact the fate of the nuclear deal.” That’s right. It’s been clear since even the hostage crisis of 1979-80 that the mobs chanting “Death to America” in front of the US embassy were trucked in by the regime to perform for US television news. It’s theater.