I’ve seen all but three of the films in the top categories (unlike last year, when I managed to see all). The list of nominees is here. Some of them I have blog posts on (or will imminently): American Sniper (reprehensible film), Boyhood (excellent), Gone Girl (way overrated), Selma (meritorious but not a masterpiece), The Grand Budapest Hotel (good), Two Days, One Night (excellent). As for those I haven’t posted on, here’s my brief take on each, starting with the Best Picture nominees:
Birdman or (The Unexpected Virtue of Ignorance): I’ll see anything by Alejandro G. Iñárritu, who is always interesting even if his films are not without issues (‘Amores Perros’ is his best IMO). I had high expectations for this one, in view of the top reviews and strong word-of-mouth on social media. I will readily acknowledge the film’s merits, notably Iñárritu’s direction—which is impressive—and the acting. And it certainly held my attention, which is saying something for a two-hour film that takes place almost entirely inside a theater. But while it is, in an objective sense, a good movie, I found the characters so unpleasant, indeed antipathetic, that I just couldn’t gush about it afterward. And Michael Keaton is a tête à claques (an admittedly subjective opinion). C’est tout c’que j’ai à dire.
The Imitation Game: Good quality Hollywood entertainment and a biopic that works to boot, as I knew nothing about the personality—Alan Turing—beforehand, so didn’t know what was going to happen or how the pic would end. And it’s always good to see a well-made WWII movie. The message—admittedly not original—was salutary too: of how prejudice (here, against gays) not only shatters lives but also undermines the interests of nations and states. Benedict Cumberbatch is solid in his role and Keira Knightley is too (and I am normally not a fan of hers). So thumbs up to this.
The Theory of Everything: This biopic works less well than the one above. Eddie Redmayne is exceptional as a quadriplegic Stephen Hawking but Felicity Jones, who plays Jane Hawking, hardly merits an Oscar nomination for her performance. The pic left me unsatisfied, as its main focus is the relationship between the two, with Hawking’s science getting short shrift. And one does not come away with a clear sense of how he has managed, with his debilitating handicap, to keep so productive, make new scientific breakthroughs, write books, and all. In other words, how did he do it? So my reaction to this one is neither thumbs up or down but just bof…
Whiplash: I was originally not going to bother with this one, as I am not a great fan of jazz—except for jazz piano (Keith Jarrett, Bill Evans, etc)—and do not understand why anyone out to learn a musical instrument would choose drums (sorry if I offended any drummers out there; I respect you all the same; and if it makes you feel better, I just came across this piece on social media informing us that “drummers are smarter than…everybody else”). But as the pic received top reviews—and particularly in France—and was playing at my neighborhood theater during Xmas week, I decided WTH. In short, I was absorbed in the story from the outset, at the midway point started think that it was a very good film indeed, and decreed toward the end that it would make my Top 10 list of the year. It’s an excellent movie. And J.K. Simmons is redoubtable as the sadistic psychopathic fascist jazz maestro. Voilà!
And then there are these:
Foxcatcher: I knew nothing about the story going in except that it was about wrestling, and have no memory of the 1996 fait divers that concludes it (which apparently didn’t receive much media attention in France). It’s an absorbing, well-paced, well-acted movie that held my attention throughout, which is saying something in view of its 2+ hour length and the fact that I don’t find wrestling particularly interesting. Steve Carell and Mark Ruffalo deserve their Oscar nominations (though I don’t know if they deserve to win). The film also has a politically progressive message—if one wants to see it that way—which is the parasitical character of the scions (a certain number of them) of wealthy families—the kind of people who were born on third base and think they hit a triple—and who are destined to occupy an increasing portion of America’s ruling class in the coming decades (for an elaboration on this theme, see the review in Le Monde, which calls the film a “chef d’œuvre” and “intellectuellement passionnant”). If one wants an ironclad argument for a steep estate tax on wealth in the eight or nine figures, this movie is it. So: recommended.
Wild: Woman in her late 20s, whose life is a mess, sets out to walk the thousand mile Pacific Crest Trail—despite having no hiking or camping experience—so she can work through her personal problems (pic is based on a true story). Why did I go see this? I was on vacation (in the US) and had seen all the other interesting-looking movies playing at the local multiplex. It’s okay, memorable mainly for the impressive nature scenes. Reese Witherspoon and Laura Dern put in perfectly fine performances but do not merit their Oscar nominations. The movie may be seen, but may also not be seen.
Voilà my ballot:
BEST PICTURE: Boyhood.
DIRECTING: Richard Linklater (Boyhood).
Alejandro G. Iñárritu is a credible winner for this, as is Wes Anderson (The Grand Budapest Hotel), but Linklater deserves it for his tour de force.
ACTOR IN A LEADING ROLE: Eddie Redmayne (The Theory of Everything).
This is by default, as the real winner of this should be Jake Gyllenhaal for his role in Nightcrawler, but for which he was incomprehensibly not nominated. Michael Keaton, who is likely to win it, is worthy, I suppose (even though he’s a tête à claques).
ACTRESS IN A LEADING ROLE: Marion Cotillard (Two Days, One Night).
This one is also by default, as it is an almost forgone conclusion that Julianne Moore will win for her role in ‘Still Alice’, but which I have not seen, as the film hasn’t opened in France yet (and hadn’t nationally when I was in the US last month). Now I love Marion Cotillard and who was excellent in her film, but as it’s not American I don’t know what she’s doing in this category. But as the remaining nominees absolutely do not deserve it, I have to go with her. [UPDATE: Having now seen ‘Still Alice’ (March 19th), I will confirm that Julianne Moore absolutely deserved to win the best actress award; her performance in the film is exceptional.]
ACTOR IN A SUPPORTING ROLE: J.K. Simmons (Whiplash).
Obviously. I’m sure Robert Duvall is great in ‘The Judge’ but I missed it.
ACTRESS IN A SUPPORTING ROLE: Patricia Arquette (Boyhood).
A natural choice. I didn’t see ‘In the Woods’ (and have no intention of), so can’t speak to Meryl Streep’s performance, but hasn’t she won enough already?
FOREIGN LANGUAGE FILM: Leviathan.
This is the nº1 of the five available options, with Timbuktu a close second. Ida is a haunting, impressively shot film but it didn’t blow me away the way it did to everyone else. ‘Wild Tales’ is fun but doesn’t merit the top prize in any awards ceremony outside Argentina. I haven’t seen ‘Tangerines’.