‘The Great Beauty’. Just about everyone is praising this movie. It’s received top reviews on both sides of the Atlantic, audiences love it, and friends—Facebook and real life—have given it the thumbs way up. I had no intention of seeing it, as I am really not a fan of Felliniesque films—pas ma tasse de thé—, and this one—judging from the trailer and description—looked to be Felliniesque and then some. And I wasn’t overly taken with director Paolo Sorrentino’s 2008 ‘Il Divo’ and despite its compelling political subject matter. But in view of the praise and its best foreign film nominations for both the Oscars and Césars, I decided I really should check it out (as it’s still showing at several Paris salles nine months after its release). The verdict: it is, in the cinematographic sense, a beautiful film, no question about that. But I found it tedious and generally insufferable, and with the story—of a member of the Italian high bourgeoisie taking stock of his life as he enters the troisième âge—to be of no particular interest. I couldn’t wait for the thing to be over. My dislike of Felliniesque films was definitively confirmed. But that’s me and my taste. I don’t expect others to agree. So this is not a recommendation not to see it. Chacun son goût.
One may, however, heed my view of ‘Un Château en Italie’ (A Castle in Italy), which, like the above film, has as its subject the Italian upper bourgeoisie (here a family in a state of advanced deliquescence). This one is directed by the Franco-Italian Valeria Bruni Tedeschi—older sister of Carla Bruni Sarkozy—and is essentially autobiographical, with Valeria BT, who goes by the name of Louise in the film, playing herself. VBT’s real life lover for five years and who was 20 years her junior, the actor Louis Garrel (Nathan in the film), also plays himself (as Louise’s lover, and with his father, the well-known director Philippe Garrel, also present, albeit interpreted by an actor). And VBT’s mother, the concert pianist and occasional actress Marisa Bonini, is Louise’s mother in the film. So the pic is all about VBT’s family—with the notable absence of Carla and who is played by no actress—and their histoires, but which would really help to know before seeing, as otherwise the story doesn’t make a lot of sense. But even if one does know about VBT and the film’s autobiographical nature—I was familiar with some of it but not all—it still doesn’t make a lot of sense. In short, the film is self-indulgent, nombriliste, and of little intrinsic interest. It’s pointless. Like, who cares about the contemporary Bruni Tedeschi family? It would have been one thing if the film had been about the family’s past, before they decamped to France in the late ’70s, but to focus on what’s going on with them nowadays (and with no reference to Carla) and their financial difficulties: zzzzzzzzzz. Hollywood critics who saw it at Cannes were respectful but not too positive (here, here, and here). Trailer is here.
‘Un Château en Italie’ has received one César nomination, for Marisa Bonini as best supporting actress. But her performance was utterly unexceptional. As indicated above, Mme Bonini is the mother of Carla Bruni Sarkozy, whose husband is gunning for a comeback in the 2017 presidential election and to knock off President Hollande. I noted in my post a couple of days ago on the film ‘Quai d’Orsay’ that Julie Gayet, Hollande’s S.O.—and for whom he dumped Valérie Trierweiler—, was likewise nominated for her (unexceptional) performance in that one. A political balancing act on the part of the Académie des Arts et Techniques du Cinéma maybe? Essaie-t-on de faire plaisir aux uns et aux autres? Just asking.