I’ve been following the events in Ferguson MO over the past week like everyone and, like everyone with a conscience and who knows how to think—and which even includes certain conservatives—, have been appalled by its only-in-America character. In following the events—which, being in the US at present, I’ve been able to do on cable TV—I have been reminded of this pertinent film, directed by the 26-year-old Ryan Coogler, that I saw last January, when it opened in Paris. It’s about the shooting and killing by a police officer of a 22-year-old black male named Oscar Grant III—who did absolutely nothing to merit being shot and killed—in Oakland CA on New Year’s Eve 2008-09, at the Fruitvale BART station, and which led to civil disturbances over the subsequent days (for details of what happened, go here). [UPDATE: Here are mobile phone videos taken of the actual incident by passengers on the BART train (h/t Ellis Goldberg)]. The film, taking some dramatic license, reconstructs the day of Oscar’s life that preceded his killing, of his somewhat unstable life relationship and employment-wise, but depicting him as a basically good guy who strove to lead a normal life and absolutely did not deserve to suffer violent death. It all goes to show that merely being a young black male in America and going about your life can get you shot and killed by the police, and even in the deepest of blue states. So if you want to see a movie that is both good—reviews were tops—and topical, see this one (which should have, by all rights, received Oscar nominations but did not). Trailer is here.
BTW, when I wrote above that the Ferguson events presently underway were “only-in-America,” I did not mean to imply that America is exceptional when it comes to racist cops behaving badly toward members of visible minority groups. This happens in many countries, including France, of course (I’ve had so many posts on this that they need not be linked to). What is only-in-America—among advanced Western democracies, at least—is the trigger-happiness of the police, of the sheer number of unarmed visible minority young men they kill. À propos, here’s a commentary in The Economist magazine I just read on the militarized “Trigger happ[iness]” of the American police, which so contrasts from its counterparts in Great Britain. And contrasting with another major Western democracy, here’s an item from two years ago on how “German police fired just 85 bullets total in 2011,” compared with the
84 shots [that] were fired at one murder suspect in Harlem, and another 90 at an unarmed man in Los Angeles.
In France the police are thoroughly racist and odious. And their behavior regularly provokes riots by youthful members of visible minorities. So how many people do the police kill during such occurrences? In the biggest recent riots of all—over three weeks in October-November 2005—the number of persons killed was exactly two (and neither by bullets). Case closed.
In the interests of fairness and balance—and not to make the police look all bad—, I saw a quite good indy pic back in late ’12, ‘End of Watch’, directed by David Ayer, of a couple of buddy cops in East L.A. trying to do their job and who have to deal with, entre autres, Mexican criminal gangs whose proclivity for violence far exceeds anything any US police department would be capable of. Roger Ebert’s four-star review thus began
“End of Watch” is one of the best police movies in recent years, a virtuoso fusion of performances and often startling action. Jake Gyllenhaal and Michael Peña are Taylor and Zavala, two Los Angeles street cops who bend a few rules but must be acknowledged as heroes. After too many police movies about officers who essentially use their badges as licenses to run wild, it’s inspiring to realize that these men take their mission — to serve and protect — with such seriousness they’re willing to risk their lives.