Nº 662, 23-02-2005
[update below] [2nd update below] [3rd update below] [4th update below]
He was the headline on the national news Thursday night, a major story again last night, and was on the front pages of almost all the national newspapers in France yesterday. It is quite amazing that the latest Dieudonné non-Affair—and, objectively speaking, there is no affair, as he hasn’t done anything at the present time to provoke one—has been going on for over two weeks now, that it continues to be a big news story. Which is not to say that it is devoid of interest. The Dieudonné brouhaha has indeed raised some issues—and disquieting ones, notably in regard to his enthusiastic fan base—and provoked what looks to be a real debate over free speech in France and the limits to this (of which more on below). A few points.
First, Dieudonné is not just a comedian. He is a quasi political actor and has been since the 1990s. Pour mémoire, he was an independent candidate in the 1997 legislative elections, in the Dreux constituency—a Front National terre de prédilection since the early ’80s and where Dieudo has his main residence—, obtaining a not insignificant 8% of the vote. His campaign—this before he became an anti-Semite (an open one, at least)—was aimed at the FN’s Marie-France Stirbois—who was Dreux’s National Assembly deputy in the 1989-93 period (she took 61% of the vote in the 1989 by-election there)—and attracted sympathy from the left (all sorts of lefties—e.g. Jack Lang, Marie-George Buffet, Daniel Cohn-Bendit, SOS-Racisme—came to Dreux in the late ’90s to support Dieudo in his ongoing bagarre with Mme Stirbois and the local FN; this several years before he became best buddies with Jean-Marie Le Pen and other frontistes). Dieudonné announced his candidacy in the 2002 and 2007 presidential elections—which went nowhere, of course, as he had no ability to round up the necessary 500 signatures—, was in the second position on the “Euro-Palestine” list in the Île-de-France in the 2004 European elections—when his antisemitism had begun to rear its head—, and headed the “Liste Antisioniste” (i.e. anti-Zionist) in the ÎdF in the 2009 European elections (poster below)—his antisemitism now in full throttle—, and with the list including the well-known Jew haters Yahia Gouasmi, Alain Soral—Dieudo’s main sidekick these days—, and Ginette Hess-Skandrani.
Some numbers: In the 2004 election, the “Euro-Palestine” list won 4% of the vote in the Seine-Saint-Denis (the neuf-trois), spiking at 6 to 8% in La Courneuve, Bobigny, Villepinte, and Clichy-sous-Bois (and obtaining 11% in Garges-lès-Gonesse in the Val d’Oise). The 2009 “Antisioniste” list took a modest 3% in its (relative) stronghold of the Seine-Saint-Denis, winning 4 to 5% in a dozen, heavily immigrant-origin populated communes across the ÎdF. The point here: Dieudonné has a political audience—and notably among the younger generation of visible minorities—that is independent of his specific stand-up comic acts. So when the French state views him as more than a simple entertainer, it is not without reason. Which is not to say that the state’s current actions against him are justified.
Which leads to the second point. The latest Dieudonné (non-)affair is purely the doing of Manuel Valls. If it weren’t for Valls and his grandstanding acharnement against Dieudonné—to have the latter’s shows banned—, I wouldn’t be writing this post. The latest thing blew three weeks ago, when it was reported that Dieudo, in his current stand-up act, was making bad taste Judeophobic jokes about France Inter’s morning news host Patrick Cohen (whom I listen to daily, pour l’info). And this was followed by Nicolas Anelka’s “quenelle” on December 28th, after scoring a goal for his current West Bromwich club—the 11th he’s played for in his turbulent career—against West Ham. No particular reason to be shocked, as Anelka—a trash-talking Muslim convert hailing from an ill-reputed cité in a particularly tough Paris banlieue—said that he’s a friend of Dieudonné’s and did it for his friend (N.B. the “quenelle” is not an inverted Nazi salute; Dieudonné came up with it in the late ’90s; it’s simply a bras d’honneur—an “up yours”—at “the system,” and a gesture of solidarity with Dieudonné and his spiel: which, in view of Dieudo’s obsessive, in-your-face antisemitism, signifies that the quenelle may be rightly interpreted as adhesion to his world-view and pet hatreds). Valls’s gratuitous campaign to silence Dieudonné is of a piece with the most intolerant, liberticide reflexes of the French left. “Pas de liberté pour les ennemis de la liberté”… How many times have I heard that over the years and decades from French lefties (and coming from a man—Saint-Just—who went to the guillotine…)….
Even those who support hate speech laws such as the Loi Gayssot—which, being a First Amendment purist, I do not—and think these alone should suffice in this matter, have been critical of Valls’s liberty-undermining demarche and regret that he’s playing into Dieudonné’s hands, e.g. the prominent political scientist and former PS MEP Olivier Duhamel, Albert Herszkowicz of Memorial 98, Maître Eolas (animateur of the excellent blog Journal d’un avocat), Charb of Charlie Hebdo—who points out the differences between Dieudonné’s legal challenges and the lawsuits that have been filed against CH over the years—, Pascal Riché of Rue89, the Franco-Algerian journalist Akram Belkaïd, the venerable Ligue des Droits de l’Homme, and others. Mediapart’s Edwy Plenel has gone so far as to compare Valls to Nicolas Sarkozy (the similarities between the two have been remarked upon by more than one)
Imposant son duel avec Dieudonné comme le feuilleton médiatique du moment, Manuel Valls fait tout bêtement, et sinistrement, du Nicolas Sarkozy. Il exacerbe, hystérise, divise, dramatise, pour mieux s’imposer en protagoniste solitaire d’une République réduite à l’ordre établi, immobilisée dans une politique de la peur, obsédée par la désignation d’ennemis à combattre, tournant le dos à toute espérance transformatrice, authentiquement démocratique et sociale. Avec cette politique avilie, réduite aux émotions sans pensées, aux réflexes sans débats, aux urgences sans discussions, nous voulions en finir en 2012, et hélas nous y sommes toujours.
The alacrity with which the Conseil d’Etat—the supreme court of the administrative legal system—issued its rulings over the past two days is also disquieting, as if there were some kind of consigne issued on the matter. And now it appears that Valls is trying to have Dieudonné censored on the Internet. This is crazy. Dieudonné’s lawyers will most certainly take the case to the European Court of Human Rights in Strasbourg, and which will most certainly rule against the French state and in Dieudonné’s favor. And Manuel Valls—and the French Socialists—will have definitively succeeded in turning a lowlife anti-Semite into a martyr for free speech. Great! On this, I have to part company with Thomas Legrand, France Inter’s normally sharp political editorialist—and with whom I invariably find myself in agreement—, who, yesterday morning, disagreed with those critiquing Valls and the Conseil d’Etat. He asserted, entre autres, that
La parole raciste est performative, c’est un acte. Tenir des propos racistes c’est être violent. A partir du moment où l’on sait que Dieudonné sera antisémite dans son prochain meeting, peut-on encore invoquer la liberté d’expression pour le laisser faire ? C’est à peu prés comme permettre une ratonnade au nom de la liberté d’expression des ratonneurs. Entre l’époque des lois scélérates et aujourd’hui, il y a eu quelques événements : le génocide arménien, la Shoah, les guerres de décolonisation, le Rwanda (Goebbels et Radio 1000 collines) qui permettent de comprendre la différence fondamentale entre la violence des mots anarchistes –pour poursuivre avec cet exemple- et la violence des mots racistes. Face à ces considérations, se demander si les interdictions du meeting de Dieudonné ne vont pas lui faire de la publicité, ne pèse pas grand chose. Faire de la publicité, rendre public le plus largement possible l’idée que le racisme est interdit, c’est renforcer un tabou positif, qui, à court terme, peut créer des troubles, mais qui, au fond, renforce la cohésion. C’est l’Histoire qui nous l’a enseignée.
Specious analogies. “Ratonneurs” are thugs who carry out violent acts on people, Radio 1000 Collines openly called on people to murder their neighbors… What is going on in France right now is a wanker making sick jokes to other wankers. Il n’y a pas eu mort d’homme. There has not been a single documented instance of a Dieudonné show resulting in physical aggression against an individual, or even against property. If Dieudonné were to suggest that his fans do any of this, legal sanctions against him would be in order. But he has done no such thing.
My third point. Valls may be inflating Dieudonné’s significance and with the extensive media coverage—which is only normal in view of the story’s interest and the fact that major politicians are driving it—increasing Dieudo’s fan base, but the fact of the matter is: Dieudonné is irrelevant and will remain that way. In listening to him speak on politics one is struck by the nullity of his rhetoric. To call it intellectually impoverished would be an understatement. To get an idea of the level at which Dieudonné is operating, take a few minutes and listen to him here (English subtitles). This is the degré zéro of political discourse. Marine Le Pen is both Aristotle and Pericles by comparison. Moreover, Dieudonné has no sympathizers even at the extremes of the political spectrum (a few ageing or marginalized frontistes apart; Marine LP won’t have anything to do with him). Even pro-Palestinian/Israel-bashing associations on the far left have condemned him in no uncertain terms, e.g. the Association France Palestine Solidarité and the Campagne BDS France. To these one may add the self-styled Parti des Indigènes de la République—which 100% supports Hamas and Islamic Jihad in their struggle against the “Zionist entity”—, which issued a declaration 4½ years ago harshly denouncing Dieudonné and his rapprochement with the extreme right. Dieudonné is radioactive from one end of the political spectrum to the other. Only those regarded as crackpots and whack jobs even by other extremists will touch him with a ten-foot pole. So politically speaking, he represents exactly nothing.
As for his youthful fans—and this is my fourth point—, way too much is being made of them. Now I have been somewhat taken aback at images of the thousands who attend Dieudonné’s shows, who are intimately familiar with his shtick, and find his antisemitic “humor” hilarious (e.g. see the video of his Bordeaux performance last April embedded in this piece; see also this, this, this, and this). I don’t know where this Judeophobia—latent and overt—comes from or how to interpret it, particularly as anti-Semitism has declined precipitously in France over the past six decades; it is not significantly higher in France than in the US or anywhere else (and is no doubt lower than in a number of European countries; I’ll come back to this subject another time). It is true that a significant number of his fans are youthful Muslims—who are disproportionately given over to antisemitic stereotyping—and other post-colonial and DOM-TOM minorities, but they are by no means all; many fans are regular “gaulois” French, middle class, and educated beyond the bac.
Several commentators have said that we need to listen to Dieudonné’s youthful adepts, try to understand where they’re coming from, and absolutely not stigmatize them, e.g. Pascal Boniface, who offers this
Mais ce qui compte, au-delà de [Dieudonné], c’est l’influence qu’il peut avoir sur une partie non négligeable de la jeunesse française. C’est là le véritable enjeu. Son public est jeune et divers. Ce n’est pas en traitant tous ceux qui vont à ses spectacles de nazis ou d’imbéciles qu’on les fera se désolidariser de Dieudonné. Quelles sont les raisons de la popularité de Dieudonné ? Il est le fruit d’un rejet des élites politiques et médiatiques par une partie de la population. Ces dernières devraient davantage réfléchir aux motifs de ce rejet, plus compliqué que de désigner un coupable idéal.
In an FB exchange yesterday, a smart journalist with a Maghreb specialization took me to task for an off-the-cuff remark I made dissing Dieudonné’s fans, responding with this
On ne s’en sortira pas avec ce genre de noms d’oiseaux et le mépris… [Il faut] sortir de l’état de crispations délétères, de la crise de représentativité et des fractures sociales et mémorielles qui minent la société française.
Perhaps. In another vein, my blogging confrère Arthur Goldhammer, whose civil libertarian critique of the government I entirely share, worried about the impact the Conseil d’Etat’s interdiction of Dieudonné’s shows would have on his alienated fans
What this series of lamentable episodes–from Anelka to Dieudonné to the Conseil d’État–has revealed is that France is on the verge of another explosion of rage by people who feel they have no political voice. It’s a pity that there is no civil rights movement worthy of the name and that no leader of stature has emerged to channel this anger into more productive channels. I shudder to think of what lies ahead.
Art needn’t shudder, as nothing whatever lies ahead, at least not from Dieudonné’s fans indignant at Manuel Valls’s vendetta against their hero. In listening to Dieudonné’s fans on the TV news and reading in press articles what they have to say (see above links), one is struck—indeed stunned—by their political inculture, of their intellectual indigence. The nullity of Dieudonné’s political discourse—the zero degree of its content—has found its audience. Intellectually speaking, Dieudo’s fans are in his image. Jean-Yves Camus, the well-known specialist of the extreme right, nailed it in his column in the December 31, 2013, Charlie Hebdo
Puisque l’ancien comique [Dieudonné] et son acolyte [Alain Soral] qui fut écrivain sont dans une logique mercantile à outrance, c’est aux clients autant que vendeurs qu’il faut s’intéresser. Les clients sont des pigeons décervelés qui croient lutter contre le «système» par une attitude d’adolescent rebelle à deux balles, les yeux rivés sur le clavier de leur ordinateur à visionner en boucle les vidéos du gourou avant d’aller acheter les produits dérivés sur la dieudosphère ou sur le site d’Égalité et Réconciliation. Quand ils se décident à sortir du monde virtuel, ces «soldats politiques» de pacotille poussent le courage jusqu’à défier le capitalisme, les discriminations raciales et les méchanismes de domination par un geste fort: une «quenelle» photographiée en loucedé sur un smart-phone qui coûte un demi-smic. Ces gens ne sont que des tout petit-bourgeois en mal d’émotions fortes, des consommateurs passifs de la sous-culture de masse qui prolifère sur les réseaux sociaux. Leur pseudo-subversion est un leurre: ils n’iront pas voter, ils désertent les luttes sociales et l’engagement sur le terrain et ils n’aident en rien, concrètement, les immigrés ou les travailleurs licenciés.
Couldn’t have said it better myself. In listening to and reading the words of Dieudonné’s fans—not to mention those of the Man himself—the leitmotif is opposition to “the system.” And the “quenelle” is their expression of this, of cocking a snook at “the system.” But what precisely do they mean by “the system”? Is it the capitalist system? Liberal democracy? The republic? The European Union? What exactly? In a discussion on the Dieudonné phenomenon this past week in a Master 2 level class at one of the universities I teach at, I put the question to a student—bright, highly politicized, and manifestly on the extreme right—who was halfway defending Dieudonné by “explaining” the “quenelle” phenomenon as a gesture of opposition to “the system” by numerous persons—soldiers, policemen, firemen, etc—who are actually inside “the system” but oppose it and, for obvious reasons, cannot express this openly. Huh? Opposition to the system by those inside the system? So please tell: what is “the system”? My student could not—or would not—say. But when we listen to Dieudonné, we get a very clear idea of what he means by “the system”: it’s that—and which is everything (politics, the state, economy, finance, the media, culture, you name it)—which is controlled by the “Zionists,” the CRIF, Bernard-Henry Lévy, the Rothschilds, Patrick Cohen, Patrick Bruel, etc, etc. And, of course, Israel. In short, it’s the Jews. The antisemitism of Dieudonné—and which suffuses his shows—is the rawest that has been expressed publicly in France since the Second World War. Audiences that eat this up, that adhere to it, that do not react to it with instinctive indignation or revulsion, merit no sympathy or comprehension. They merit nothing but contempt.
Dieudonné’s lizard brained fans may be angry about something—and their anger will no doubt increase as their hero’s legal difficulties mount—but, like Dieudonné himself, they are, finally, irrelevant. As Jean-Yves Camus observed, they are outside the political system, are politically illiterate—I actually know a couple of fans of Dieudo’s shows personally, as I have learned, so can attest to this particular aspect—, probably do not vote in their majority, do not participate in organized social struggles, are not members of civic associations… They are passive consumers of trash popular culture. And they are ultimately anodyne. They won’t join terrorist organizations or engage in criminal or subversive activities. Not a chance. And they certainly won’t form a political movement or join the Front National en masse. They will continue to go to their jobs—and most of them presumably do work, what with the price of admission to Dieudonné’s shows (cheapest seats at €38), their smart phones, etc.—and then go home to their computers, Facebook, Twitter, Instagram, et j’en passe. If they feel alienated or angry, that’s their problem, not society’s. And it is not something politicians or intellectuals need to get overly worried about. Not so long as the branleurs remain outside the formal political system or civic life.
A final point. As a comedian, Dieudonné is not funny. I have watched his skits on YouTube, including those from the ’90s with Elie Semoun, and failed to find any humor in them. Okay, humor is subjective and there are many people out there who have turned away from Dieudonné but still swear that he is—or used to be—a great comedian. Perhaps. But I can assert that when it comes to ethnic stand-up comedians in France, he cannot hold a candle to Fellag or Gad Elmaleh, or even Jamel Debbouze or Elie Semoun solo. Now these ones are funny!
The Dieudonné story will likely disappear in the coming days, as we move on to the next earth-shattering story, of François Hollande and his new friend.
ADDENDUM: Alain Finkielkraut and Plantu debated the Dieudonné affiar on I>Télé two days ago (watch here). Politically speaking I agree with Plantu but on the analytical level, I am entirely with Finkielkraut (and I am otherwise not a fan of his, to put it mildly). A friend remarked on what a simpleton Plantu was in his argumentation, incisively observing that “maybe that’s what it takes to be a great political cartoonist (which he is): a willy-nilly simplification of complex issues.”
And for those who have time, France 24 had a good debate Thursday night on “Free Speech or Hate Speech? The Row over French Comic Dieudonné” (in two parts: one and two), with Philip Cordery (PS MP), Philippe Moreau Chevrolet (Nouvel Obs columnist), Justin E. H. Smith (American philo and history prof in Paris), and leftist journalist Diana Johnstone. All were articulate and presented their arguments well, including Johnstone, with whom I rarely agree—and who wrote an execrable article on the Dieudonné affair last week in the ultra-gauchiste Internet rag CounterPunch (which I will decline to link to; if one wants to read it, one will have to go and look for it).
UPDATE: Art Goldhammer has a post on his French Politics blog on my Dieudonné post. He says
…I think [Arun] underestimates the potential harm of what he concedes is a widespread and increasingly uninhibited antisemitism in certain segments of French society. For Arun, these people are not alarming because they operate at “the degree zero of politics” and are products of a degraded popular culture. One can agree on the last two points and still worry about the potential for disruption and contagion. I’ve also been struck over the past few days by the crowds gathered at sites where Dieudonné performances have now been banned. Quite a few of the people interviewed on the TV news did not appear to be young denizens of the Paris suburbs or excluded visible minorities. Most seemed closer to 30 than to 20 in age, were well-dressed, and evidently had no difficulty coming up with the minimum 38 euros necessary (as Arun notes) for a ticket. Yet they were eager to tell the national TV audience that they believed their hero was being suppressed by “the Zionist lobby” through its immense and occult influence on the government.
I entirely share Art’s disquiet at the complicity of Dieudonné’s fans with the latter’s antisemitism, and which I made clear. But to repeat, I don’t see this as having grave consequences for French society or the political system given the depoliticization of his fan base and the fact that they really aren’t all that numerous. Dieudonné can get several thousand people into an arena for his shows—but not sell them out (as one may see in the YouTube of his Bordeaux show last April that I linked to above; and his Théâtre de la Main d’Or in Paris’s 11th arrondissement seats all of 250)—and get up to two million hits on YouTubes—which are no doubt seen by people multiple times, by many who are not his fans (including those like myself), and by a likely not insignificant number outside France (notably in the Maghreb, where his views have a potentially large and receptive audience). In the larger scheme of things, there are just not that many people involved here.
Contrast this with a rough American equivalent of Dieudonné—a showman from a visible minority with a nasty antisemitic rhetoric—, which was Louis Farrakhan, who, if one remembers, was the focus of a lot of media attention in the US from the 1980s and, above all, in the mid ’90s. Farrakhan was/is far more intelligent and sophisticated than Dieudonné and a far superior orator—there is no comparison between the two—, led a religious movement which was more than a mere cult, could organize “Million Man Marches,” and sell out arenas seating tens of thousands. There was alarm in various quarters—particularly in the Jewish community—over Farrakhan and the effect his rhetoric could have on his (exclusively black) audience—which loved his demagoguery—, but, finally, nothing came of it. He was thoroughly isolated politically, including among black politicians, and his fans—who were far more numerous than Dieudonné’s—neither joined the Nation of Islam nor coalesced into a movement or cause. Farrakhan fizzled and the media forgot about him.
Today’s Journal du Dimanche (January 12th) has a short interview (not online) with André Déchot, co-author of the 2011 book La Galaxie Dieudonné: Pour en finir avec les impostures (which looks worth reading), in which he discusses Dieudonné’s fans. In response to a question as to who they are
D’abord un noyau dur minoritaire, entre 10 et 20%, que agrège des négationnistes, différents courants d’extême droite dont des dirigeants du FN, des conspirationnistes, des fondamentalistes musulmans, des sectaires…Sans oublier les jeunes de la droite radicalisée qui étaient mobilisés contre le mariage pour tous. Ils étaient là, jeudi pour acceuillir bruyamment Manuel Valls lors de son arrivée à Rennes.
As for the other fans
Beaucoup de jeunes qui viennent des quartiers populaires, pas seulement issus de l’immigraton, et dont la plupart sont hors syndicats, hors associations ou structures collectives. Leur point commun, c’est un manque de repères historiques ou politiques. Ils sont dans une confusion entretenue par Dieudonné et ses amis. Pour eux, la «quenelle» est avant tout un bras d’honneur à un pouvoir en place qui, pensent-ils, les ignore.
As to whether or not they are antisemitic
Le public de Dieudonné n’est pas dans son ensemble antisémite, mais il adore ses provocations. Pour les fans, Dieudonné mène un combat contre la pensée unique, pour la liberté d’expression. Au regard de la posture victimaire de l’«humoriste», on peut presque parler d’un antisémitisme jugé acceptable par le public. Mais le risque est insidieux: on rigole aux vannes antisémites par provocation et, petit à petit, l’imaginaire de chacun peut se reconfigurer sur des préjugés racistes.
The France 2 talk show host, Frédéric Taddeï, interviewed author Marc-Édouard Nabe on Friday night, who had some interesting insights into Dieudonné and his fans (watch here), emphasizing, in particular, their attraction to conspiracy theories. (Taddeï, BTW, has invited Dieudonné onto his show in the past year, which gives the lie to those who say that Dieudo has been “banned” from mainstream television.)
It seems that Dieudonné is trying to calmer le jeu, announcing that he’s scrapping his current act and writing another. He’s no doubt getting scared that the state is going to go after him financially—and which Jean-Marc Ayrault all but confirmed this past week—, hitting him for unpaid taxes and fines. Money-wise, he has a lot to lose. And likely will.
2nd UPDATE: Art Goldhammer favorably links to an FT column (register for access), dated January 10th, on the Dieudonné business by Christopher Caldwell. It’s good, though Caldwell exaggerates—and not for the first time—the degree to which antisemitism is a problem in France. I noted one passage in particular
Dieudonné…may be the most gifted French comedian of his generation. He has made his name writing, directing, singing and acting two-hour-long combinations of skits and stand-up at his own Théâtre de la Main d’Or in Paris. His histrionic and imitative gifts are extraordinary, permitting him to carry out, for instance, both sides of an absurdist dialogue between a television intellectual and a car-burning rioter in the banlieues.
I presume Caldwell has seen a full Dieudonné act but wonder whom he’s comparing him to, i.e. how familiar Caldwell is with the world of French stand-up comedy in general (and the comedians I mentioned above). I’ll keep an open mind on Dieudonné’s comic act—his early stuff at least—but have yet to be convinced.
3rd UPDATE: Jack Lang—whom I would normally not cite favorably—deplored the Conseil d’Etat’s ruling in an interview in Le Monde (January 13th). Lang, pour mémoire, was a professor of constitutional law before entering politics and knows two or three things about the world of culture, so his viewpoint on this matter is noteworthy. In the same vein, retired law professor Serge Sur—who’s a major figure in his domain—took the Conseil d’Etat to task on the “Liberté, libertés chéries” blog (January 10th), calling its ruling a “Jour de deuil pour la liberté.”
4th UPDATE: To get an idea of Dieudonné’s humor—and what makes his fans laugh—take a look at this skit on “the deported Jew” (subtitles in English). Ça se passe de commentaire. It is being reported in the French media today (March 11th) that the lawsuit of the owners of the Théâtre de la Main d’Or to have Dieudonné’s lease cancelled will be adjudicated on April 29th. One can only hope the owners will win. The sooner the S.O.B. is put out of business, the better.
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